A group of six oddball but brave kids encounter the path of a immense and terrible supernatural malevolence that has invaded our existence from the farthest reaches of oblivion. They are compelled to wage a lifelong battle battling it, enduring one nightmare after another in the process.
This outlines the narrative, roughly, of Stephen King’s seminal work It (a standout in his career; no arguments). It parallels of Stephen King’s offspring Joseph Hillstrom King’s new chilling tome, in which six friends call forth the ancient, deeply sinister dragon the Sorrowful Monarch from the Abyssal Void to help them defeat some baddies. Unsurprisingly, their otherworldly invocation backfires.
Joseph Hillström King launched his profession going to great lengths to distance himself from his famous father, using the pseudonym he still uses today and eschewing in-person meetings with his agent (he exhibits a striking resemblance to his father). However, in his newest work, he embraces it. Several quotes that intentionally mirror some of the senior author’s well-known (the famous Dark Tower introduction); a moment that evokes a signature King element (a battle of wits). Throughout this massive book, the author rejoices in his family connection, and we delight along with him.
Focusing on the companions: most are students at the fictional the esteemed institution in this northeastern locale. There’s Arthur, bookish and gifted, cracking historical enigmas in his free moments; the character Colin, affluent, sharp, and inclined to bulldoze obstacles in his path; twins Donna and Donovan; the attractive the lovely Allie. And there’s Gwen, who remains outside their academic circle, but assumes a vital role of their band as they experiment, partly convinced, partly skeptical, in supernatural practices.
Our hero becomes, due to circumstances beyond his control, obliged to take prized manuscripts from his cherished academic collection by a set of regional villains. This devastates his scholarly soul, notably because he’s compelled to seize the institution’s prized and chilling title: the logbook of practitioner Enoch Crane (condemned “for conspiring with dark forces in 1703”; the binding is made from his skin). The intrepid group read the journal, realize they are able to call forth what the occultist details as a cunning serpent to help Arthur out with his coercion issue – and spend the rest of the novel facing the fallout. This ancient entity will certainly eliminate those annoying regional antagonists, but they’ll have to choose a fresh offering every twelve months or become his victim themselves. As our protagonist states: “You sow dragon’s teeth, all you get is additional horrors.”
Covering a generation, Joe Hill transitions with effortless ease through various literary forms: as the companions strive to manage the situation they find themselves in by, through diverse methods, picking people who are obviously evil to offer up, or seeking means to slay the beast themselves, we transition from page-turner to shadowy tale, clandestine torment to love story to fright. A standout transition was to a quest story, within the subterranean depths beneath this UK region, a part sprinkled with the Lord of the Rings author that was gloriously terrifying.
There are trolls – those living under bridges and digital trolls, properly scary and expertly realized. The story includes mystic weapons and betrayals, breath-taking moments of courage and scenes of dreadful evil, both mortal and otherworldly. It stands as a masterpiece: a chilling book that is primarily a ode to the human inventiveness, and to love and friendship. “We needed a story to believe and {now we’ve got one|presently we possess it|currently we hold it,” says this character as the companions sit around the table, preparing to summon their dragon to life with the strength of their collective will.
In the author’s own words in his introductory quote: “Here be dragons”. Don’t miss them.
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